The sexual interplay between a top and a bottom can be compared to the performance of a symphony orchestra in concert. The top is the conductor of this orchestra. His concept of pleasure directs and controls the action of the orchestra in the creation and exploration of his concert of sexual expression. The bottom is the orchestra itself. The orchestra responds to the direction of the conductor in a manner which will translate his desired concept of passion into a reality of sensation. Together the top and bottom form a partnership with the common goal of the climactic physical expression of this passion .
